6. Tributary Zones
Description
Location
Translation Methods
Access by Individuals
Description
Question 3-S1: My question is, if there is one painting per chamber and 23 (24) chambers, where did the extra artwork, etc., come from?
A. There are seven Tributary Zones of which I am translating from a dimension of time and space that originates - speaking symbolically - from a nonhuman section of the time/space continuum. The Ancient Arrow site is one of these seven "interdimensional" sites, which has been translated into human terms (sensory information that can be received and processed by the thalamocortical system) and distributed in various forms (CD, web, etc).
In the case of the Ancient Arrow site, there are 24 chambers because this site is concerned with the genetic architecture of the neuroanatomical human structure. This site is encoded with information specific to genetics, thus its structure takes on the form of a single helix with the chambers symbolic of the dormant, yet-to-be-activated protein clusters that will shift consciousness to a six-sensory human existence.
In the second section of the book, which will be released next year, the 24th chamber will be better understood. There is also a philosophy paper that will help clarify the genetic symbolism of the Ancient Arrow site.
Furthermore, the 24th Chamber Painting will be released before the end of July 2001; it is a significant piece of this puzzle.
The remaining six sites are of a different symbolic structure than the Ancient Arrow site, and yet there are certain similarities. All of them have a synthesis of art, music, poetry, language, science, and philosophy because this is the nature of the Tributary Zones. Some sites have a greater emphasis on music than poetry, or art rather than science. It varies depending on the symbolic focus of the Tributary Zone. Collectively the seven Tributary Zones, when strung like pearls, reveal the essential innovations that will be required in order to discover the Grand Portal.
I would recommend that anyone interested in knowing more about the structure of these sites should read the 3rd chapter of the Ancient Arrow book and WingMakers' Philosophy - Chamber 4.
Question 8-S2 - Once the seven tributary zones are discovered, mankind will awaken to the Grand Portal. Does this mean that the WingMakers' material will awaken seven areas of the human spirit/mind, which will lead to mankind's shift to the fourth dimension in 2012?
A. At the risk of appearing a bit fastidious, the seven Tributary Zones aren't discovered so much as they are revealed. This revelation is a gradual dispensation of a new sensory data stream that is encoded with numerous "triggers" that will touch deeply into the next three generations of select humans incarnating upon earth.
These sensory data streams will - in effect - crystallize the supernal purpose of the individual and make it accessible to the human mind of the individual. This access may be as innocent as causing the individual to select a career of scientific inquiry into the human genome, or as powerful as awakening the Sovereign Integral state of consciousness.
While the seven Tributary Zones are revealed, the Grand Portal is discovered. Each of the seven disciplines of Lyricus is connected to a Tributary Zone. In other words, one of the Tributary Zones, known as the Ancient Arrow site, is focused on the human genome. The next site that will be revealed is focused on cosmological sciences, and so forth.
Each of these areas of emphasis is subtly manifest (encoded) in the sensory data streams of their respective sites, and trigger an awakening in the mind of the recipient.
Question 13-S1: Is the WingMakers site in Arizona real (and has the poetry, music & paintings really come from here?) Have any of the other sites been activated? If so, are the recent discoveries at Lake Vostok another WingMakers site? How about Egypt - is the Hall of Records a WingMakers site? Is Uluru another site?
A. I believe the site you're referring to is the Ancient Arrow site located in northern New Mexico. It is true that there are physical sites on each of the continents (as above, so below). However, the sites are different than those that I am describing in this story. In part, I'm doing this in honor of these scared sites, but mostly I'm less interested in depicting the actual physical sites than I am in relaying an accurate portrayal of the seven Tributary Zones.
Location
Question 9-S2 - Are the tributary zones purely spiritual, or do physical events play a part in opening these up?
A. The seven Tributary Zones exist as places of inquiry and knowledge dissemination. They are the creation of the Central Race and, more specifically, Lyricus. While it is true to say that they exist within the innermost section of each of the seven superuniverses, they have been exported to each galaxy, somewhat like exporting a library.
Thus, each galaxy possesses seven Tributary Zones cast from the archetypal versions existing in the innermost section of the universe that pertains to that particular galaxy. Each Tributary Zone is tuned to the unique characteristics of the humanoid species of a particular superuniverse, and to some extent, galaxy.
While physical events upon earth and the evolutionary status of humanity impact on the timing of the physical revelation of these seven Tributary Zones, they do not dictate the revelation of these mysterious destinations insofar as the individual is concerned.
Translation Methods
Question 25-S2 - How do you translate the Tributary Zones from one dimension to ours? Do you produce all of the material as a translator, or a creator, or both? What does it mean that the WingMakers' material is encoded? How does this get done?
A. The seven galactic Tributary Zones exist near the centermost point of the Milky Way galaxy, making them inaccessible to humanity. This is the primary reason that a translator is required. The other reason is that the vibratory rate of the Tributary Zones is purposely accelerated in order to ensure that only those entities of a compatible vibration may enter.
There are members of the humanoid species, throughout the galaxy, that attend these sites in their dream state or meditation sessions.
It is impossible to translate these sites from their original dimension to earth, or any other three-dimensional planet, without changing the content. This is because the vibratory rate of the original materials must be decelerated, and in this deceleration process, change occurs. Technically, the process is less akin to translation from one language to another, and more similar to transposing from a higher key, or vibratory rate, to a lower.
You can think of these seven sites as knowledge repositories, in multiple mediums (sound, light, knowledge, language, mathematics, etc.) focused on each of the seven disciplines of Lyricus. These seven disciplines are expressed differently, but each contains multiple mediums that heighten and emphasize how integrated knowledge is a spectrum that includes art, metaphysics, and science, and that unified properly, this spectrum is the key to unveiling the Grand Portal.
The equivalent of the Ancient Arrow site, within the galactic core, contains three-dimensional art forms that are always in a state of movement. They respond to sound wave pressure, as well as the thoughts of those who are present at the site. There is no method to presently replicate this on earth. Thus, the paintings must be fixed in time and space. I decide this fixed state, so, in this case, I am a "creator".
However, I have extensive experience in making these interpretations based on research of color vibrations, human perceptual systems, sophistication of the visual cortex, associative values of form, and methods of catalyzing new receptive fields.
In many respects the sound requires a comparable process. The major themes are transposed to audible frequencies, but the instrumentation cannot be replicated. The sound generation of the galactic Tributary Zones is not from instruments, but rather particles set in motion by thought forms. Even in this oblique description, I have only hinted at the real process. It would take too long to describe. The important element to know is that I am allowed artistic autonomy to transpose the themes into new structures using human instrumentation, human compositional techniques, and human vocals. These elements provide an anchoring point to the music, making them more accessible to the human ear.
From these descriptions, I think you have a glimmer of understanding for the process I use.
As for the encoding and how this is accomplished, I can only tell you that there is subtle information encoded within the WingMakers' materials that operate as a navigational system, leading deeper into the purpose of each site or Tributary Zone. This is part of a selection process, and relates exclusively to the Wholeness Navigator consciousness. More on this aspect I cannot disclose.
There is another form of encoding, which is not esoteric, and this element relates to the interaction of the human instrument to the materials. The music, art, glyphs, and texts are encoded with mathematical and metaphysical embellishments that are accessible through interaction techniques, some of which have been disclosed in the 4th Philosophy paper.
Through these interactions, the human instrument decodes the information that helps it transition to the exploratory energy system where deeper insights can be achieved.
Access by Individuals
Question 6-S3 - Could you please describe in more detail what the Tributary Zones are and what their purpose is?
A. The Galactic Tributary Zones are the knowledge repositories of Lyricus. They house the local Lyricus staff, research centers, teaching facilities, and various tools that we believe -in this particular case - will help humanity focus its technology and efforts in the pursuit of the Grand Portal.
As I have reported previously, there are seven Tributary Zones within the Galactic core. These Tributary Zones relate to the seven primary disciplines that comprise the Lyricus "library of catalytic tools".
The following answer by James contains the acronym "SECU." I have brought James' definition of a SECU forward for the sake of clarity.
The definition appears later in this document under, Extraterrestrials, Q and A 12-S2.
"What you call humans, we call Sovereign Entities of the Central Universe (SECU - pronounced SeeQue). SECUs are the alpha and omega. They are not time-bound nor restrained by the adornments of bodies. They are the primal form finished and honed to the perfection of their creator, and in this, we are all the same."
Lyricus is able to track and monitor SECUs (Sovereign Integral of the Central Universe) no matter what physical structures they inhabit.
When we judge a particular SECU is properly prepared, they (their Wholeness Navigator) are transported to one of our training centers, which is unlike any you can conceive of on Earth. I use the words "Training Center" only because I can think of nothing else to describe them. Candidates are not necessarily spiritually minded, nor are they exemplars of humanity in terms of their personality, physical body, or temperament. They are, however, advanced SECUs operating in human form, typically unconscious of their mission and purpose.
These fortunate entities are escorted from their human instrument and guided to the Tributary Zone that is best suited for their purpose and mission. They are generally taught in the form of a dialogue - not unlike the Lyricus discourses depict. They are allowed to query masters, and the masters are allowed to elucidate on relevant topics. It will come as no surprise that Einstein was one such SECU that was attended by Lyricus masters.
He was allowed to formulate "his" theories through a dialogue with a single master. When he returned to his human instrument the experience and knowledge was lodged in his higher mind and a trigger was then required to draw it into consciousness.
These triggers are carefully orchestrated event strings that the master in charge of the SECU coordinates through a process we call - again, I'm translating as best I can - lucid re-orientation. This process requires that the information gained, while at the Tributary Zone, filters into the consciousness in a re-collectable state.
In order for this to occur, Dr. Einstein would experience an event or EDSS (Encoded Data Sensory Stream) that induces or triggers a recollection of a seed memory. The seed memory is the most critical part of the lucid re-orientation process because it alone carries sufficient power to draw the new knowledge into the conscious state of the human mind. I have grossly simplified this process, and words are very vexing limitations to describe this. I had better stop here before I completely confuse you.
The reason that the physically translated Tributary Zones are critical to earth-bound SE-CUs is that they are the most certain catalysts of the seed memory. It is very hard to transpose super-conscious knowledge and decelerate it for conscious recall by a human instrument.
And this will be required in much higher frequency over the next 100 years, so the Tributary Zones are being raised to a new level - an EDSS - that will trigger seed memories.
