The Ancient Arrow Project“We are here to assist beings like yourself to first conceptualize and then experience the multidimensional universe as it truly is—not only through the language of your world, but through the Language of Unity.”
The Ancient Arrow Project novel is the centerpiece of the content at the WingMakers website. The paintings, music, poetry, and symbolic language have their origins in the novel and are extensions of it.
The story’s plot involves shadowy global power forces, top-secret government agencies, extraterrestrials, time travel, secret advanced technologies, and remote viewing. If all of these were not enough, there is the unexpected intrusion of a highly advanced, enigmatic group of beings called the WingMakers.
The WingMakers are the catalytic force of the novel’s plot. In the eyes of Fifteen (signifying the level of his security clearance), the head of the of the Advanced Contact Intelligence Organization (ACIO), the WingMakers are a potential threat to his own secret agenda.
Here the plot thickens as we learn that Fifteen, unbeknownst to his supervising agency, the National Security Agency (NSA), has formed an even more clandestine research team called the Labyrinth Group. Even though the ACIO’s mission is to investigate and reverse engineer alien technologies (collected from crashed UFOs), Fifteen is primarily interested in time travel research, and this is the primary task of the Labyrinth Group team.
Fifteen’s top scientist is Jamisson Neruda. He is an expert in linguistics, encryption, and decoding technologies. Neruda’s father, Paulo, was a high level director of the ACIO and thus Jamisson’s interaction with the secret agency began at an early age. Following his father’s death, Jamisson became fully involved with the ACIO and Fifteen became a mentor to the young Neruda. As a consequence of these circumstances, Fifteen, the ACIO mission, and the Labyrinth Group’s secret time travel research are the focus of Neruda’s entire life—until the WingMakers arrive on the scene and turn his world upside down.
Is this story true? Yes and no. One of the most controversial aspects of the WingMakers material is whether it is based on actual events in the life of Jamisson Neruda. Because the WingMakers site and its original content were on the Internet for a little more than two years prior to when James came forward to claim responsibility for all the content, a sizable number of visitors to the site became convinced that the material was a true account by a government scientist turned whistleblower. Even now after more than ten years of an ever-evolving and more encompassing array of topics created by James; topics that extend beyond those of the novel into psycho-spiritual areas, there are those who cannot accept the original WingMakers material as a mythology created by James. They believe there are super-secret government agencies in contact with extraterrestrials and that they are developing technologies from such contacts. They believe there is an agenda for global dominance by a clandestine group of financial power elites. In fact, many believe that the individuals, events, and technologies contained in the Ancient Arrow Project are real.
As the years have gone by since the novel’s final version and official release on the First Source disc in 2001, James himself has admitted that his story is generally based on facts, real events, real individuals, real organizations, and most importantly—a real race of advanced human beings called the WingMakers. He tells us, however, that the story and its characters are fiction, but based on these hidden realities.
James briefly comments on this controversy in an excerpt from his disclosure letter on the First Source disc.
The WingMakers website created controversy and debate, and many have delighted in debunking its authenticity. Those who debate whether it is true or not, have diminished their sight of the truth that is woven into its structure.
Collected Works of the WingMakers Vol. II, Appendix III, James’ Disclosure Letter.
He offers further comments on this fact or fiction controversy in answer to an interested inquirer.
There were elements of the story that were purposely underdeveloped in order to keep the story in the realm of a mythology, and not a real-life series of events. These would include the place photographs, artifacts, and some of the storyline itself. I was well aware that these elements would be discovered for what they are. And I am aware that there are some who feel a disappointment in this reality, but it is only because the real light of the WingMakers has not fallen on the ground and illumined it. It still hangs in the air, traveling to a destination that is yet unseen.
Question. For what reason is the material a mixture of truth and disinformation? What purpose does it serve to do this?Answer. Remember that I am creating a mythological story that contains a philosophical system that is being externalized at this time for the next three generations of humanity. This mythology is a Tributary Zone (which you are well aware of), and it must be encapsulated in multiple media in order to attract the new generations who will require it. Because it has multiple media, and the original content from whence it comes is not of this earth, it requires augmentation. This augmentation is a storyline that threads together the real Transition Zone characteristics (e.g., philosophy, metaphysics, glyph language, poetry, music, and art), with the mythological elements of the ACIO and Ancient Arrow mystery.It was considered eons ago that a philosophical, text-based treatise was not the appropriate catalyst for the generations of the twentyfirst century.
Question. Is the story factually correct, apart from places, names and dates?Answer. The story I assume you’re referring to is the ACIO and Ancient Arrow site. This part of the story is based on fact. I won’t divulge how I know these things, but it certainly isn’t difficult to ascertain if you’ve studied the story in any detail. There are techniques that can be applied to secure the information.
What James has created in his novel is not much different than what other authors have done with their creative writing, namely they have taken actual historical events, individuals, and organizations, and built fictional stories around them. One recent example is Dan Brown’s novel, The Lost Symbol. Brown states that the story has a basis in Freemasonry and other organizations, which he researched for the novel. He simply created his story around these. James has done the same thing, except for one huge difference. He claims that he gathered his information, not from on-the-ground investigation and research, but rather through what he calls sensory bi-location, a much more advanced form of remote viewing.
In answer to a question asked by a public forum member about how he obtained the information for his novel, James states:
The information is based on factual data secured through a form of remote viewing, referred to by my teaching organization as sensory bi-location. SBL is different from classic RV because it is associated with the higher mind rather than the psychic channels of astral vision. Because of this distinction, SBL permits one to analyze motive and intent, in addition to the sensory/action environment that RV technology acknowledges. SBL is also more focused on active sensory channel selection, rather than reactive selection as in the case of RV.
Therefore, although James’ story is a fictionalized rendering of real behind-the scenes activities, he gathered this information in a manner that is beyond the known capabilities of remote viewing as reported by various researchers and investigators.
Presumably, his ability to utilize SBL is a result of his affiliation with the Lyricus Teaching Order, or has he says “my teaching organization.”
For those unsure of James’ claims and the true nature of the Ancient Arrow Project story, the proof of validity may never come because James is not interested in proving anything, including his identity. He is primarily interested in stimulating our imaginations and opening our minds to a trans-materialistic paradigm of human existence culminating in the discovery of the Grand Portal and the science of multidimensional reality in the latter part of this century. The Ancient Arrow Project novel represents the initial stage of this process—a process holding enormous implications for what it means to be human. This quantum leap in human evolution
is too important for a one-track approach and therefore numerous tracks besides the specific Lyricus mission exist for its eventual success. And this success is dependent on all seekers of truth tapping into their inmost selves through whatever path they resonate to, for that is where the truth lies. As an old adage says, “Many true paths lead to the same summit.” As James states:
I am appreciative of your interest and desire to understand more about these works. To those of you who are studying these materials, please be attentive to the path you have chosen to walk. This path is not for dabbling or mental exercise. It is a journey into your personal wisdom. If there were anything else you seek, I would encourage you to set these materials aside in favor of another path, or even no path at all.
John Berges, Collected Works of the WingMakers
